The Masthead
Contributors
Fourteen house bylines. Each covers a beat of the trade: the money, the casting, the runway, the cabine, the kit, the law.
Odette Marchand
Editor-in-Chief
Covers the industry itself: agencies, fashion weeks, the business of the runway. Sets the title's line on labor and standards.
Mikael Strand
Managing Editor
Runs the running order: assignments, the season calendar, the Model 100 franchise. Beat: show schedules and production.
Rhea Malhotra
Agencies & Business Correspondent
Covers the agency business: contracts, commissions, the economics of a modeling career. Beat: the money.
Theo Almeida
Casting Correspondent
Covers casting directors, show packages, and the season's faces. Beat: who gets chosen and why.
Juliette Moreau
Paris Bureau Chief
Covers the Paris ateliers, couture fittings, and backstage craft. Beat: the cabine.
Marcus Vale
Runway Critic
Covers the walk itself: shows, staging, and what the runway is saying. Beat: criticism.
Ines Kovac
Menswear Editor
Covers the men's boards, menswear weeks, and the quieter half of the industry. Beat: menswear.
Ruth Adler
Beauty & Grooming Editor
Covers the kit: backstage beauty, grooming, and the professional's tools. Beat: the model bag.
Alessandra Ricci
Milan Correspondent
Covers the Milan season, Italian agencies, and the commercial market. Beat: Milan.
Tomas Reyes
New York Correspondent
Covers the New York market, labor law, and the Model Alliance beat. Beat: New York.
David Okafor
Photography Editor
Covers runway photography, the pit, and the image-makers. Beat: the photograph.
Lena Moreau
Curve & Inclusivity Writer
Covers the curve divisions, sizing, and the industry's changing body standard. Beat: the changing standard.
Ava Lindberg
Features Writer
Writes the long profiles: scouts, dressers, mother agents, the people behind the faces. Beat: the people.
Henri Beaumont
Legal & Labor Correspondent
Covers regulation, visas, and contracts: the Fashion Workers Act and what follows it. Beat: the law.
All bylines are the publication's house names, unique to this title. Real people and institutions are named in our reporting; invented house bylines are never attached to real people's biographies.